Project Description
Dhaka Art Summit 2020
Existence-emitting Movements
is an action in which a group
of women walk directly on an installation comprised
of hundreds of raw clay vessels in different shapes and sizes inspired by traditional cerâmica traditions
of Bangladesh. Most cultures, including those of the artist’s native Mexico as well as Bangladesh,
perpetuate the iconic image of a woman bearing a vessel on her head to transport water or food; a symbol of the hard domestic labour weighing
down women in society. Héctor Zamora disrupts the order of things by placing the vessel not upon
the women’s heads, but rather beneath their feet.
By inverting the equation, what occurs is a shared space of liberation where women can turn the tide of patriarchy and recover pleasure in their lives.
Text by Diana Campbell Betancourt
Dhaka Art Summit and Samdani Art Foundation
Photos by Randhir Singh
Existence-emitting Movements
is an action in which a group
of women walk directly on an installation comprised
of hundreds of raw clay vessels in different shapes and sizes inspired by traditional cerâmica traditions
of Bangladesh. Most cultures, including those of the artist’s native Mexico as well as Bangladesh,
perpetuate the iconic image of a woman bearing a vessel on her head to transport water or food; a symbol of the hard domestic labour weighing
down women in society. Héctor Zamora disrupts the order of things by placing the vessel not upon
the women’s heads, but rather beneath their feet.
By inverting the equation, what occurs is a shared space of liberation where women can turn the tide of patriarchy and recover pleasure in their lives.
Text by Diana Campbell Betancourt
Dhaka Art Summit and Samdani Art Foundation
Photos by Randhir Singh